Story Comments
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The Dive |
Graves’ view of Jack as
hard-headed refers more to his stubborn nature than his ability to
take punches. He sees Jack as blind to his future and fixating on
his past. His hard-hearted comment suggests Jack should live with
his failings and move on. There’s ambiguity in the relationship
between the two men. Some comments in their exchanges suggest Jack
as a man aware of his whole past, whilst others suggest he is still
awaiting 'the word'. I favour the latter option. Graves seems to
find Jack unready or unworthy until he has overcome his demons, and
not just the heroin, which he’s kicked, but his own death wish and
need for punishment to recompense his own guilt. Jack says the gun
allows him to do whatever he wants, Graves asks if that is why he wants to give
it back, suggesting Jack is uncomfortable to be in a situation where
he cannot be punished for his actions. When Graves looks at his
bleeding fingers, does he see a flaw in Jack? Would Graves still be
bleeding if Jack was at his full capacity? |
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New Tricks |
We get to hear a little about
Lono’s juvenile delinquent days, from gambling to his first murders.
The inevitable prison sentence results in his “first” meeting with
Shepherd. He makes reference to growing up on “the island”. This
explains his awful Hawaiian shirts. As befits the character, he has
a case filled with instruments of
torture. There scenes between Victor and Loop suggest a growing
relationship between the old dawg and the young blood. Obviously Vic
has greater skills, and is not afraid to demonstrate
the fact, but instead warns Loop off. The relevance of what Victor
tells the lap dancer is obscure, and what are the seven stories to
which he refers? Carlito speaks of a deal the Trust had with Graves,
implying yet more double-crosses in Atlantic City. Crete shows some
skill in restraining Lono. Was he trained? Is he a ‘retired’
Minuteman? Fillet steak has very little fat content. Ordering fillet
well done ruins the meat, it dries and has no flavour. Loop is a culinary blockhead. The shot
Vic fires at Megan may be intended as a warning, even though it
obviously enters her right lung. As we’ve seen from Wylie, if a
Minuteman is going for a kill shot, the bullet arrives straight
between the eyes.
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Love Let
Her |
Coochie was last seen in ˇContrabandolero!,
but was always going to show up again. The narrator of the piece is
not identified, and could be any of the three protagonists seen. My
theory is that this is a note written by
Shepherd before his death. That would add something to the "it ends
in the heart" line of the narrative. A key fact removes Wylie from the equation, he met Dizzy in daylight, not at night. Dizzy's new
teardrop is for Shepherd, she's having a hard time dealing with his
death. Coochie has to check himself
before calling Wylie "Hopper", the name Wylie was using when they
first met. He also talks in Bruce Springsteen songs, making
reference to The Boss, Asbury Park and Rosalita. Dizzy is obviously There's a small
moment between Benito and Coochie, when Coochie says Dizzy came
there last time with "a man", implying that Benito is not one. They
hold a stare, then Coochie changes his tack to "different man". The
three way stand off at the end is very Sergio Leone, paraphrasing
the final scenes of The Good, The Bad and The Ugly.
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